A man prepares Reshteh and Khoshkar in Rasht Bazaar during Ramadan. Photo by Amin Alipour, Iranian.com, September 2006.9/29/2008
Happy Autumn!
A man prepares Reshteh and Khoshkar in Rasht Bazaar during Ramadan. Photo by Amin Alipour, Iranian.com, September 2006.9/28/2008
An Iranian Wedding
Four-year-old Sarah, my cousin Mehri's granddaughter, was the flower girl.
It was a beautiful wedding. It took place just before sunset in open air, overlooking the Pacific ocean.
The wedding spread, sofreh aghd, was gorgeous.
Things look a little different in the new Iranian-American weddings. The wedding spread, sofreh aghd, is the same and the ceremony is more or less the same. Bits of American wedding customs have started showing up in the Iranian weddings I attend these days. I don't think these additions take anything away from the Iranian customs; I think they add something to them.
When we went to sit down in our chairs, we each found a little rolled up note, tied with a ribbon. In the note, Dr. Mahmoud Kamiyabipour who was officiating the wedding, the aaghed, had written a description of Iranian wedding ceremony for the non-Iranian guests, so that they could understand and follow the ceremony. I was going to write about the ceremony myself, but I think his is a good representation of the ceremony, so I share it with you here. I'll write another post about this wedding a little later.
"The Iranian marriage ceremony goes back to the history and traditions of the country. The ceremony typically consists of two parts: the ceremony (Aghd), and the reception (Arousi). During Aghd, a Sofreye Aghd or the wedding spread is set up in front of the bride and groom. Food and other objects traditionally associated with marriage are arranged on this Sofreh. Every item on the Sofreh has symbolic meaning inherited from many centuries of Iranian history:
A mirror is lit by two candlesticks on either side. These are the main items on the spread. According to tradition, the mirror and candlesticks should be a gift from the groom, symbolyizing purity and love.
Nabaat, a bowl of flowers made of sugar crystals, is placed for sweetness in the loving relationship and home that is about to begin.
A platter of bread, feta cheese, and fresh herbs, which guests share immediately after the ceremony, are thought to bring the couple prosperity.
A basket of eggs, walnuts, almonds, and other nuts symbolize fertility.
Espand, a brazier brewing wild rue, is brought to drive away evil spirits and unpleasantness.
An open flask of rosewater is set to perfume the air with sweetness.
An assortment of sweets and pastries are set to symbolize sweetness as well.
Fresh flowers in abundance are set to express the hope that beauty will adorn the couple's life together.
A bowl of honey to bring the future as sweet and wonderful.
Two large solid sugar cones are ground over the bride and groom to shower them with sweetness.
The Holy Quran is set as a testament that the couple are committing themselves to each other in the sight of God.
As the ceremony begins, family and friends hold a square white silk or cotton cloth over the heads of the bride and groom, over which ladies grind the sugar cones, raining sweet joy and happiness down upon the couple while wishing them to have a very prosperous and good life together."
I wish the beautiful bride and the handsome groom of this wedding every joy and happiness in their new life together.
9/27/2008
Hana Bandan
9/26/2008
The Road to Leili's Home
Photo by Nader Davoodi from Iranian.com, September 25, 2008. Poem* on the 100 Tooman bill loosely means "Dangers await on the road to a lover's home; you must be a lover yourself to take your first step." 9/25/2008
Good As New
Mandala painting by Soghra Jazih, a student in Gisella Varga Sinai's workshop in Omid-e-Mehr Foundation in Tehran. Photo from Iranian.com.
9/22/2008
A House For Two
9/20/2008
Revelations in Motion
9/19/2008
Last Friday of Summer
Two of my favorite artists perform something fabulous together and I thought I should share it with you on this last Friday morning of the summer! This song, dast maneh bar dahanam (do not keep me from talking), based on a Rumi (Molana) poem, is one of the songs Hafez Nazeri made for his father in his Passion of Rumi album. I did a review of that album last winter. Here is performing with the Armenian Philharmonic Orchestra in Iran 2006. Maestro Loris Tjeknovarian is conducting. Here's my short interview with Loris in which he talked to me about love and women last spring.
Enjoy and have a good Friday you all!
9/18/2008
ABC's and Hope
9/14/2008
The Spreads and Vinyards of My Imagination
Simple and delicious, the way a real Eftari spread should be. All through my life Ramadan has had special meaning for me and my family. I started fasting during Ramadan when I was eight or nine years old. Everyone fasted in our house, so it was a really happy and wonderful time, waking up to eat and pray and start the fast before sunrise, and to break the fast after sunset. We had so many memorable family gatherings around Ramadan, free with the choice to fast, and choosing it with joy and happiness. The forced ritual of fasting never set well with me in the years I lived in Iran more recently. I could never understand how putting pressure on people to pretend to be fasting or to punish them if they ate or drank in public was of any help to those who were really fasting. When I came to US, where almost nobody was fasting around me, and other people were free to eat and drink and do as they pleased, the pleasure of the choice became more significant. I doubt anybody ever became anything by force, least of all a good Moslem. In the most recent years when we lived in Iran, I had at least two large Eftari gatherings at my house or at a restaurant where a large group of guests were fed at Sunset. It was such a labor of love to prepare for those gatherings. Serving Eftari to a large crowd is tricky business, because everyone has to be served at the same time! Serving hot tea to 25-50 people at the same time is a little harder than you can imagine! Yadesh be kheir. I miss it. I think I will invite my family to Eftari this week. For those of you who pray and fast during Ramadan, ghabool basheh.
This is the other photograph with which my imagination ran today! It shows the grapes harvest in Yassouj in the province of Kohkilouyeh and Bouyer Ahmad of Iran. Have you ever walked inside a vinyard at harvest time? I have. The grown vine leaves and the ripe grapes exude a special aroma, a smell like nothing else in this world, so sweet, so delicious, so special. I walked such a vinyard in the autumns of my childhood. That wooden crate, with those gorgeous grapes inside, covered with a filmy layer of vinyard dust, is heading off to markets and homes and family spreads. My father loved grapes. I miss Iran today and my whole body, all of my senses, all of my heart aches in that longing tonight.
9/10/2008
Life By Trial And Error
Here's a clip of Mohsen Namjoo's concert, singing Daheh Shast (1980's). My friend Sabereh Kashi made this clip and it's on Vimeo. Beyond Persia's Lale Welsh and Amir Salamat are the Executive Producers. I borrowed this from Iranian.com. Enjoy!
September is such a busy month for me. I'm running around like a chicken with my head cut off! I have to help my son prepare for taking off for UC Santa Cruz by September 20th, and our little home is buzzing with activities having to do with his departure. Last minute details and advice are all we do these days. There's so much he needs to know, so much I should tell him. He will be on his own, taking care of himself. He will have to do so many things for himself now. Will he remember all the things I'm telling him? Does it matter, really? I mean how much of life has to be facilitated by loving adults and how much of it has to be learned through trial and error? I don't mind his trials, it's the errors I fear! Heeh! I left my parents' home when I was 18, and it wasn't to go to college in a town 2 hours away--it was to get married and have a life of my own! I remember my father's tears on my wedding night. He asked me why the rush? He asked whether my life with my family and at that house had been so bad I felt compelled to leave it so soon?! He asked me why I wouldn't give him a chance to do the things for me which he had done for his other children? I couldn't understand his and my mother's worries about my upcoming trials and errors! They were the best parents anyone could wish for. Their home was the most loving home ever. Yet, I had to go. I had to leave, because love beckoned me. I did attempt many trials in my life, many of which turned into errors! But I'm forever grateful for the chance to go, to take off, to go see things, to learn things, to suffer, yes, but also to enjoy, to become the person that I became. I want the same things for my son and his brother, even if I know they will face walls and disappointments and pains along the way, for they will also experience joy and fulfillment they could never feel living in my nest. I want my sons to be happy.9/08/2008
The Namjoo Weekend
At the Namjoo Concert, Saturday, September 6, 2008. Left to right, actor extraordinaire Behrouz Vossoughi, Alahazrat Mehran, beautiful VOA personality, Luna Shaad, and Arash Sobhani of Kiosk.
Friends at the Namjoo Concert, from left: Payam, Ehsan, Maryam, Jahanshah, beautiful Persian dance artist, Heather Rastovac, Mehran, and Reza.
At the Namjoo after party, from left Ehsan, Maryam, Jahanshah, and Mehran.
Behrouz Vossoughi posed for me at the Namjoo concert.
At Shadi and Ardalan's house...I know something went wrong with my camera here, but looking at the photos, I rather liked this one! From left: Amir Salamat of Beyond Persia, Arash Sobhani of Kiosk, Luna Shaad of VOA, and Ardalan Payvar of Kiosk.
Oh My God! This extraordinary musician, Shahrokh, played nostalgic tunes on the piano and on my heart! He was jamming with the other musicians at the party. Superb!
Beautiful and artistic couple, our hosts, Shadi Yousefian and Ardalan Payvar. Shadi is a successful photographer and a theater actress. Ardalan is a musician with Kiosk and a web designer. Beautiful young people.
From left: Sweet and talented mezzo-soprano and actress Raeeka Shehabi Yaghmai, Ardalan Payvar, and Arash Sobhani of Kiosk.
From left: Raeeka Shehabi Yaghmai, Arash Sobhani, and Mohsen Namjoo.

















